[LARGE PLATE (PLATTER)] HIBIKI ASH GLAZE SANSAI PLATE 210 | DAINICHI | KYOTO-KIYOMIZU WARES 肥前吉田焼 Leon Ransmeier A mug (dark

Leon Ransmeier A mug (dark blue) that feels as if you are touching the soil

Mosuke Uchio The "TATAMI YOGA" series of yoga mats are made by dyeing natural rush before carefully weaving them together

While researching the project’s Japanese cultural backdrop

is strictly controlled not only for meat but also for cowhide

[LARGE PLATE (PLATTER)] HIBIKI ASH GLAZE SANSAI PLATE 210 | DAINICHI | KYOTO-KIYOMIZU WARES 肥前吉田焼 Leon Ransmeier A mug (darkShigeo Takemura It is a "platter" with a beautiful color of ash glaze that has become glassy with glaze accumulated in the center of the plate. The carvings around the edges and the blue and brown decorations are accented. The pattern of blue glaze flowing on the outside gives the bowl a change. I make my own natural ash glaze by turning sunflowers that I have grown into ash and mixing them with burned ash such as grapes, sunflowers, and figs.